Earn on the pre-owned market
Your references resell for years — revenue you never see. Confirm each one, keep 70%, take a cut at last.
“Every pre-owned sale was revenue we’d never see. Now each one pays us — and hands us the owner.”
Your pieces resell for decades, and today you see none of it — no revenue, no sight of the buyer. Every resale, a new owner wants your word that it’s real. Confirm it, keep 70%, and get the client back — without ever opening your records. A revenue line and a reacquisition channel on a market you’re shut out of.
A maison sells a watch, a bag, a diamond — once. It resells three or four times over its life, and the house is shut out of all of it. Two ways over.
The secondary market for luxury runs to hundreds of billions. Every resale of a piece you made moves through it — and the house that made the goods earns nothing on any of it.
Not a moment of contact with the person who now owns it — at the exact moment they most want the maker’s word that it’s real. The relationship ends at the first sale.
Earn gives back both: a cut of every resale it confirms, and the client at the moment they most want you.
A maison, a car marque’s heritage department, a museum, a corporate collection — anyone holding the record on objects the world wants to verify. Earn turns that record into three things it couldn’t be before.
Every time someone checks one of your objects, you confirm it and keep 70% of the fee. The heritage desk that was pure cost starts to pay — and a collection you’d shelved starts working.
The confirmation is the exact moment the new owner wants you. For a maison that’s reacquisition — service, trade-up, membership; for an archive, the collector or enthusiast back in touch.
Every genuine piece confirmed by you, every fake flagged — the definitive word, on the record and in your name. Grey-market defence for a maison; authority made monetisable for an archive.
A car marque’s heritage archive certifies a classic against its original build records — owners pay for the factory’s word, and a department that was pure cost is paid on every certificate. The same holds for any archive sitting on objects the world wants to verify — a museum, a university collection, a corporate holding.
The network never reads your records. It asks a question — “is this serial a genuine reference, produced that year?” — and your own system answers yes or no. Nothing is read, copied, or stored on the graph. You confirm; you don’t share.
Attestation, not data access — the strongest authentication there is, confirmed by the maker itself, with none of the exposure.
The maker confirms from behind its walls. The institution already on Operate earns on the density it built. Same 70% either way.
Four kinds of maker, one motion: confirm what resells, keep 70%, win the second owner back.
Your references resell for years — revenue you never see. Confirm each one, keep 70%, take a cut at last.
“Every pre-owned sale was revenue we’d never see. Now each one pays us — and hands us the owner.”
Resale is where your client disappears. The confirmation is where you find them — and offer the next thing.
“The confirmation is the warmest lead we get. We built a trade-in programme around it.”
Every stone you graded gets re-checked on resale. Confirm the report is yours and valid, and the registry pays.
“Our reports get validated thousands of times a year. Now each validation earns.”
You are already the body of record. Confirm against it and earn — and every check makes the record stronger.
“We were the reference everyone relied on for free. Now the reference earns.”
A large watch house, as the illustrative bottom-up — built on published secondary-market scale, not veradis activity. The figures are examples; the shape is the point: a flat marketing line, an earn-back that outgrows it, and a client base handed back on top.
A flat marketing line the earn-back covers many times over — and it keeps scaling with your objects, not against them. On one brand, on the secondary market alone.
This is where the value compounds. Each is a secondary buyer you’d otherwise never have met — and the programme the budget pays for. Apply your own client lifetime value.
Illustrative, at maturity — a large watch house at ~200'000 resales a year. The subscription starts at a CHF 10'000 floor; the return is modest in year one and builds toward 8:1 by year three, as the market is won. Not a case study: we’re building the first partnerships now. Your numbers, set with you.
Buyers pay a premium to have a piece recognised by the maker. You keep 70% of it. Fund the rest like brand protection — a marketing line, sized to you — and the earn-back grows into it, then past it.
A marketing line for brand protection and reconnection — a floor that covers your launch, then sized to your volume. Connecting your endpoint is a one-time, grant-fundable step.
Annual · from CHF 10'000Your share of every recognition premium a buyer pays to confirm a piece with you. As checks grow, the earn-back overtakes the budget.
The earn-back Every confirmationveradis carries the reach and keeps 30%. Priced with you, not off a rate card. Open your archive →
Confirm what resells, keep 70%, and win the second owner back — a new revenue line and a reacquisition channel, with your data untouched behind your walls.
Open your archive