The intelligence to connect a collection, the governance to run it, and a digital museum that opens it to the world. Named agents identify, verify, value, and tell the story of every object — inside your governance, on your data. Built for museums first — and any collection with the same need: a private collection, a dealer, a family office.
Two problems, one collection. One keeps it hidden. The other means no one is left who can read it.
The object sits in dark storage, or it’s trapped in a catalogue system no one outside the office ever opens. A collection no one can see does no work — not for a visitor, a researcher, or a donor.
The person who knew every piece is moving on, and the knowledge goes with them. Whoever takes in the next acquisition may never have had it — a painting, a watch, a rare edition arrives, and no one at the desk can place it, let alone tell its story.
When it arrives and no one can place it, the knowledge has already left.
The intelligence is the connection. Every object linked to its maker, its owners, the people and events it touches — and to objects in other collections. Every fact sourced. A catalogue is a list; this is a graph you can follow.
One object, connected. Its maker, its provenance, the people and events it touches, its value and its story — and a matching reference in another collection. The list becomes a network you can follow.
A hybrid team runs inside your governance — each agent named, each action logged, versioned and policy-gated. You set the rule once; the same agents run it the same way, every time — and the curator keeps the final say. Nobody is replaced; this is work that wasn’t getting done.
It starts as a knowledge graph — every object linked to the people, places and records around it, each connection sourced and scored, across institutions. Then the public faces: narratives in more than one voice, storytrails, a board dashboard. This is what a museum can’t walk away from.





The knowledge graph. One person, resolved across three institutions — every connection sourced (Roy, p. 388) and scored. A catalogue holds records apart; the mesh connects them. This is the line a CMS can’t cross.
The Seaforth Highlanders Foundation runs its collection on the platform today — the regimental archive connected, enriched, and open. Multiple museums and private collections are on it now, and the objects link across institutions, not just within one.
A hybrid team for a desk you were never going to fully staff — doing the work that isn’t getting done today. See it run in a walkthrough; bring the whole collection on with a one-time integration, then a flat subscription by the size of your collection.
Operate is priced in CHF.
Small collections — foundations, community museums, single dealers.
100–5'000 objectsGrowing institutions running real volume through the desk.
Most institutions 5'000–100'000 objectsNational museums and federations — multi-site scope, priority support.
100'000+ objectsEvery collection begins with a one-time integration fee — connectors and configuration, grant-fundable. Subscriptions are flat and set by collection size — indicative, and scoped with you. Talk to us →
We start with a sample, run it with the workforce, and open the doors — held in your governance, on your data.
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